Volcano Soap Bomb Video Prompt
A detailed video generation prompt for Seedance 2.0 that creates a realistic documentary-style clip of a man dropping a giant bar of soap into an active volcano from a helicopter, resulting in massive bubbles filling the cabin.
這是一個其他靈感的Seedance 2.0範例。請使用下方可直接使用的提示資訊產生類似的視覺素材,並在重複使用前查看Awesome Seedance 2.0 Video Prompts署名和商業用途授權資訊。
需要完整的提示符號集?請使用 其他靈感 主題中心提供更多相關範例,或打開 Seedance 2.0 提示庫 有關完整範例索引、可重複使用結構和來源歸屬的資訊。
提示詞
可直接複製的提示
【Basic Settings】 15 seconds, 9:16 vertical screen, one continuous shot, live-action documentary photography style. Records the complete process of a man dropping a giant bar of soap into a crater from a helicopter, followed by massive soap bubbles rising from the volcano and flooding the cabin. Presenting surreal events through on-site observation, with natural and restrained visuals, and authentic character reactions. No comedic performance, funny actions, or deliberately designed punchlines. The entire sequence is a single continuous shot, with no cuts, transitions, hidden editing, slow motion, or time jumps. 【Characters & Props】 An adult male wearing a dark outdoor jacket, long pants, and boots, with a waist safety belt connected to a fixed point in the cabin, located inside the open side door of the helicopter. The man holds a giant pink soap bar approximately 80cm long, 45cm wide, and 25cm thick with both arms. It is a rounded rectangular prism with a smooth surface, slight wet reflections, clear thickness, and weight. No packaging, no text. Real seats, fixed handles, metal door frames, and floors are visible inside the helicopter. The pilot remains in the front cockpit. Character, cabin, and prop appearances remain consistent throughout. 【Environment & Photography】 Daytime, natural light. Dark rough rock walls surround a wide crater, with slowly churning orange-red magma at the bottom, and slight thermal disturbance in the air. The helicopter hovers above the edge of the crater, with the side door facing the interior of the volcano. The composition clearly establishes the positions of the man, the door, and the drop point below, maintaining consistency between throwing height and actual fall time. The camera is always held by the shooter inside the cabin, completing forward tilts, upward pans, and rotations near the side door. Wide-angle documentary composition, with fine vibrations caused by rotors and natural handheld adjustments, making actions clearly discernible. Natural exposure and color, preserving real textures of skin, clothing, rock walls, and metal. 【Continuous Time Sequence | 0:00—0:04 | Dropping the Giant Soap】 Shooting from inside the cabin towards the side door. The man and the giant soap occupy the foreground, with the crater below clearly visible through the door. The man rests the bottom edge of the soap against the threshold, steadies it with both hands, bends his knees to shift his center of gravity forward, and pushes the soap outward. His arms extend as he pushes; once the soap's center of gravity crosses the threshold, his hands release explicitly. The soap detaches from the cabin, accelerating downward with a slight rotation. The man retracts his hands, steadies himself on the cabin handle, and stays in place to observe. The camera naturally tilts forward, continuously panning down along the soap's trajectory, retaining a small section of the door frame at the edge of the frame. The soap gradually shrinks in depth, contacting the magma below and stirring up local turbulence. Fully present the falling process without skipping distance or suddenly cutting to a close-up of the impact. 【Continuous Time Sequence | 0:04—0:09 | Foam Generation, Massive Bubbles Rising】 The camera maintains its downward tilt. Fine white bubbles appear where the soap contacts the magma, then the foam continues to expand, gradually covering the surrounding magma. Transparent soap bubbles continuously bulge and detach from the churning white foam, drifting towards the helicopter with the rising airflow. Initially only a few scattered ones, their number quickly increases, forming a dense cluster of bubbles with depth. Bubble sizes range from grape-sized to basketball-sized, with thin-film reflections and faint iridescence on the surface, allowing visibility of the volcano and rock walls through the bubble membranes. Rising speeds vary slightly, colliding and deforming with each other, some bursting naturally while more continue to generate behind. The camera continues to observe the approaching bubbles. The distant volcano is still visible through gaps, while nearby bubbles gradually occupy more of the frame. There is a clear distinction between the white foam on the magma and the transparent bubbles rising into the air. 【Continuous Time Sequence | 0:09—0:13.5 | Bubbles Arrive, Flooding the Cabin】 Bubbles rise to the door height, swept by the airflow around the rotors and fuselage. Some burst or deviate, while more continuously flood in from outside the side door. The camera follows the bubbles continuously lifting up, smoothly turning back into the cabin to recapture the man. The shooting position and door frame direction must remain continuous and consistent; do not suddenly switch to an external view. The man holds a fixed handle with one hand, slightly retreating into the cabin, and naturally raises the other hand to block bubbles close to his eyes. He primarily observes the changes in front of him, not looking at the camera, not exaggerating performance, and not speaking. Bubbles constantly diffuse from the door into the cabin, crowding between the seats, the man's shoulders, and the camera. Nearby bubble membranes gently deform and slide, leaving wet white foam on hair, sleeves, and seats after bursting. More bubbles immediately fill in, gradually obscuring the cabin structure and character outlines. 【Continuous Time Sequence | 0:13.5—0:15 | Cabin Filled with Bubbles, Direct End】 The camera maintains the current cabin perspective, only slightly retreating with the shooter's body. Massive bubbles have crowded the door and surroundings of the person, almost covering the man's upper body. Bubbles are still naturally crowding, floating, and bursting; through partial gaps, dark sleeves and the hand holding the handle are visible. End directly here, without adding actions like parting bubbles to show face, looking at the camera, or being covered again. Do not freeze frame or zoom out. 【Audio】 Real rotor sounds and door wind noises permeate the entire sequence, accompanied by the sound of soap scraping the threshold, distant low rumbling of volcanic churning, and subtle dense popping sounds as bubbles enter the cabin. Sound distance changes naturally with camera orientation. No background music, narration, dialogue, or comedy sound effects. 【Key Constraints】 9:16 vertical screen, 15 seconds, one continuous shot throughout, live-action documentary photography texture. The camera is always located near the side door inside the same helicopter. Only one giant pink soap bar exists; it does not reappear in the man's hands after being thrown. Bubbles first generate from the volcano, then continuously rise to the door and flood into the cabin; they cannot appear out of nowhere. No single giant bubble wrapping the helicopter. Transparent bubbles have clear thin-film structures; white foam consists of fine bubbles, avoiding representation as smoke, cotton, or snow. Only use the last 1.5 seconds to show the state where the man's upper body is almost covered by bubbles, then end immediately. No subtitles, logos, or watermarks.
Best for
- - 其他靈感 visual exploration
- - Short video shots and motion references
- - Reusable briefs that keep source attribution visible
Change these parts
- - Subject, product, character, or scene
- - Aspect ratio, camera, lighting, and background
- - Brand, text, color, and output constraints
Recommended model and settings
- - Model: seedance-2-0
- - Input mode: 影片參考
- - Aspect ratio: 9:16
- - Commercial status: restricted
How to use this prompt
- 1. Copy the prompt and preserve its structure for the first test.
- 2. Replace the subject, context, and publishing channel.
- 3. Change one camera, lighting, or style variable per iteration.
- 4. Inspect the output, source, text, and rights before reuse.
Limitations, source, and reuse cautions
- - Generated output is an editable draft, not factual, legal, or rights evidence.
- - Review the linked source, people, brands, logos, text, and third-party media before commercial use.
內容來自Awesome Seedance 2.0 Video Prompts 。必須註明出處。商業用途狀態為restricted ;付費使用前請查看來源版權資訊。
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