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A traditional Chinese ink wash painting in the style of a hanging scroll, painted on warm beige Xuan paper, using a vertical composition. Large black ink calligraphy is featured on the upper and central right side, with poetic landscape illustrations in the lower left and bottom. The calligraphy must be clear and legible, using expressive running script brushstrokes, arranged in 6 vertical columns, read from right to left. The specific text for the 6 columns is: “Jin zun qing jiu dou shi qian, Yu pan zhen xiu zhi wan qian,” “Ting bei tou zhu bu neng shi, Ba jian si gu xin mang ran,” “Yu du Huang He bing sai chuan, Jiang deng Taihang xue man shan,” “Xian lai chui diao bi xi shang, Hu fu cheng zhou meng ri bian,” “Xing lu nan, xing lu nan, duo qi lu, jin an zai,” “Chang feng po lang hui you shi, Zhi gua yun fan ji cang hai.” Add a smaller vertical inscription “Li Bai Xing Lu Nan” to the left of the main poem, and add 1 red square seal below the inscription. In the landscape scene, depict 1 Chinese scholar-poet wearing light-colored robes, with a hair knot and fluttering ribbons, standing on the edge of a rugged cliff in the lower left, gazing into the distance with a contemplative expression. Below and throughout the lower half, depict turbulent rivers or seas with white waves and foam, with distant mountains obscured by mist. Sparse vegetation dots the cliff edge, and the whole scene is shrouded in soft mist. Use black and gray ink wash, with extremely restrained dark blue-gray washes added to the water surface and robe shadows. The overall atmosphere is heroic, melancholic, and literary, showcasing the texture of classical Chinese landscape painting and museum-quality calligraphy, with appropriate white space reserved around the text and landscape.