Modern Chinese Graphic Design Layout

Construct a modern graphic visual around {argument name="subject" default="any theme object"} by intersecting giant Chinese thematic characters, geometric color blocks, and single-line organic outlines. Maintain high brightness and a pure background overall, leaving more than two-thirds of the space white, with an off-center cluster bearing the main weight: a saturated {argument name="main color" default="main theme color"} rectangle establishes a stable plane, a deeper low-brightness cool-toned circle overlaps from below and extends beyond the boundary, and the core Chinese theme character advances vertically with oversized heavy black geometric strokes across the white base, rectangle, and circle, forming strong scale jumps through incomplete occlusion and cropping; the left side features a compact digital column of dates and bilingual sub-headers, while the right side balances the weight with two levels of vertical short sentences, and small micro-descriptions, short dashes, and linear symbols are scattered at the edges, creating a three-level reading rhythm from the main character to side notes and then to details. Abstract the dynamic relationship derived from the theme into a continuous organic outline, using clear near-black single lines to outline a broad swirling form that enters the color blocks from large areas of white space and crosses the edges, with curves intersecting multiple times but maintaining a discernible single path; the interior of the outline mostly retains the base color, with only local transparent thematic main color fades added at the tips and extensions, creating tension between the light lines and the heavy giant characters. Colors are adaptively selected by theme: the largest area is borne by a clean high-brightness neutral base, the main theme color remains bright and highly saturated for rectangles and local transparent gradients, the circle uses a deep cold supporting color pulled away from the main color's hue, blending into the main color at the end to form soft diffusion, and text and outlines use near-black, with a very small amount of light-colored text pressed against the main color block; fix unequal areas, light/dark levels, and saturation differences, without fixing specific color names. All elements present a flat surface like matte digital printing, with sharp outline edges, gradients only slowly feathered in two parts, and no three-dimensional shadows, paper grain, or global lighting effects. The font maintains a low-contrast, thick, near-geometric sans-serif skeleton, with main characters allowed to have components elongated, displaced, cut, or changing background across color blocks; numbers use a rounded futuristic structure, and small text is enclosed by narrow bodies and loose letter-spacing; brand names, advertising copy, and specific dates are all replaced by new theme information. Finally, preserve extreme white space, geometric gathering below center, vertical and horizontal text pulling against each other, and the moment organic lines cross rigid graphics, avoiding filling parts evenly or simplifying outlines into isolated decorations.