Oriental Papercut Shanghai Skyline

{argument name="aspect ratio" default="9:16"} vertical version, modern oriental female dreamscape three-dimensional papercut art, modern oriental papercut art, layered paper cut illustration, dimensional paper sculpture, intricate paper carving, paper diorama, layered shadow box, poetic female dreamscape, contemporary oriental art poster.

The theme is "She walks through the Bund to see the light on the other side of the Pujiang River."

The core narrative of the scene is: a young oriental woman stands on a paper-carved riverside promenade, as the Pujiang River, where night and morning light meet, slowly unfolds before her. The buildings on the Bund and the Lujiazui skyline on the opposite bank are lit up layer by layer in the glimmer, and the city is like a waking river of stars. She quietly looks toward the other shore, as if finally deciding to walk from the familiar side to a broader distance.

The main character is an oriental adult female with a visual age of about 25, clear-headed, independent, bright, and determined, with a sense of calmness after urban growth. The character has an elegant oval face, bright almond eyes, and a calm and focused expression, as if seeing the outline of the future. The character uses exquisite oriental paper art illustration-style modeling, not a real photographic texture, and not overly cartoonish.

The hairstyle and headwear are: long black hair naturally loose, the ends extending into streamlined paper strips blown behind her by the river wind, wearing light gold geometric leaves and small star-point hair accessories, the headwear is exquisite and light, not complex or towering.

The character's clothing is: deep ultramarine and silver-white layered paper art gown, the inside of the skirt is engraved with city skylines, water ripples, star points, and building patterns, and the outer silk wrap is thin and slender, with fine hollow patterns and a sense of paper art cutting at the edges. The skirt and wrap extend significantly backward in the wind, forming elegant flowing lines, and the clothing shows clear paper thickness, fiber texture, slight creases, and high-finish hand-cut edges.

The dream carrier is: a paper art riverside promenade.

The dream imagery includes: Bund buildings, Pujiang River, city skyline, promenade, bridges, and glimmering star points. All buildings, river surface, railings, clouds, characters, and decorations must be unified into a high-finish three-dimensional paper carving language.

The overall papercut structure adopts: the paper road style.

The composition and character actions are: a paper art promenade extending along the river curves from the foreground to the distance, the character is located in the lower-middle left of the screen, with her back or half-side back to the camera, standing quietly by the railing, facing the opposite skyline. The character is not just posing for a photo, but seems to be gazing at the light on the other shore. Her long hair, skirt, and wrap spread backward in the river wind, forming a flow direction consistent with the riverside promenade. The promenade railings, street lights, ground patterns, and riverside curves together lead the sight to the distant Lujiazui direction, forming a clear depth of space of "riverbank-river surface-opposite skyline."

The foreground is exquisite paper art riverside railings, flower branch decorations, lamp posts, and road patterns; the middle ground is the curved and extending riverside promenade and characters; the distant view is the Pujiang water surface, boats on the river, Bund buildings, and city skyscrapers on the opposite bank. The Bund buildings must be paper-carved into Western-style facades, domes, bell towers, arched windows, and continuous riverside building groups with clear historical styles; the Lujiazui skyline on the opposite bank of the Pujiang must also be paper-carved, with clearly visible iconic outlines such as the Oriental Pearl Tower, Shanghai Tower, and Shanghai World Financial Center, unfolding layer by layer with staggered paper-carved building groups. There can be several paper-carved cruise ships on the river surface as scale and movement accents.

The overall color scheme is: mainly deep ultramarine, silver white, and champagne gold, with a small amount of coral red as accents. Deep ultramarine is used for the night sky, character's main gown, river surface, and some building shadows; silver white is used for paper-carved railings, building highlights, wraps, clouds, and bright parts of the road; champagne gold is used for lights, building window lights, partial outlines, and highlight details; a small amount of coral red is only used for building partial lights or sky glimmer accents. The overall color should be high-end, bright, and clear, presenting a dreamy urban atmosphere where night and morning light blend, not gray, dirty, or overall yellowish.

The light and paper texture are: a combination of clear night light and soft skyline morning light, urban buildings and the riverside promenade are lit up by delicate lights, the edges of the buildings are slightly translucent, and the river surface paper carving texture and building cut edges are clearly visible. There is soft and bright sky light in the direction of the distant skyline, forming cold and warm light and shadow layers between the Bund and Lujiazui. Emphasize real paper fiber, hand-cut marks, paper layer thickness, layered shadows, and hollow edge light transmission, making the entire image look like a museum-grade large-scale paper-carved city art installation.

The overall image has a sense of modern oriental female art poster, paper-carved city dream, urban star river, and high-finish art installation display. The character is the emotional core, but the urban space must be large enough; the Bund and the opposite skyline must have clear identification; the entire image should be like a paper art dream of the other shore unfolding from a real city, not an ordinary city night view poster.

Additional requirements: The urban space should be large, and the characters should not be too large relative to the scene, strengthening the depth relationship of "riverbank-opposite-skyline"; the Bund buildings and the Lujiazui skyline must be clearly paper-carved; the overall effect should be clear, gorgeous, bright, and dreamy, do not make it like an ordinary tourism promotional illustration.

Negative prompts: minors, juvenile face, real photography, ordinary anime, plastic 3D, resin material, clay, felt, children's handicraft, ordinary city night view poster, too strong a sense of realistic photography, separation of character and background materials, no paper layers, no hollow structures, chaotic paper layers, too weak building identification, Bund and Lujiazui not obvious, insufficient riverbank depth, character close-up too large, gray and dim image, dead black shadows, overall yellowish, overall bluish and blurry, messy accumulation of elements, text, logo, watermark.