Póster retro de anime de ciencia ficción de las profundidades marinas

{
  "central_art": {
    "astronaut": "bulky weathered orange-gray pressure suit, mechanical joints, hoses, oxygen tanks, cables, utility packs, Show every face clearly with natural, detailed facial features, heavy boots planted in dark splashing water",
    "composition": "astronaut centered slightly low, fish head fills the upper-right and wraps behind the figure, huge vertical title block on the left, narrow information column on the right, dense micro typography around the border",
    "creature": "gigantic white and orange speckled koi fish with immense translucent fins, round orange eye, whisker-like tendrils, scale detail, pale membranes flowing behind it like fabric",
    "environment": "underwater atmosphere without literal full ocean background, floating bubbles, sea-snow particles, blue-black depth behind the fish, orange ink-like splashes at the astronaut's feet",
    "subject": "a lone armored deep-sea astronaut standing full-body in front of an enormous koi-like abyssal fish"
  },
  "color_palette": "aged ivory paper, deep navy blue, oxidized teal, burnt orange, rust, muted gray, black ink",
  "credits": {
    "bottom_catalog": "A24 inspired minimalist studio mark and tiny production credits",
    "large_format_brand": "IMAX",
    "release_date": "{argument name=\"release date\" default=\"07.19.24\"}",
    "score_box": "ORIGINAL SCORE BY JOE HISAISHI",
    "studio": "STUDIO GHIBLI × AKIRA COMMITTEE PRESENT",
    "top_line": "A FILM BY HAYAO MIYAZAKI × KATSUHIRO OTOMO"
  },
  "format": "vertical theatrical one-sheet, vintage offset print on aged cream paper, distressed edges, tiny registration marks, film-grain texture, faded ink, 1990s Japanese future-cinema graphic design",
  "layout": {
    "sections": [
      {
        "count": 2,
        "labels": [
          "ABYSS",
          "深淵の共生"
        ],
        "position": "left third",
        "title": "main title block"
      },
      {
        "count": 3,
        "labels": [
          "A VISUALLY STUNNING DEEP-SEA ODYSSEY.",
          "HAUNTING, BEAUTIFUL, AND PROFOUND.",
          "A MASTERPIECE OF ATMOSPHERE AND IMAGINATION."
        ],
        "position": "left middle",
        "title": "review quotes"
      },
      {
        "count": 3,
        "labels": [
          "FANTASY FILM FEST 2024",
          "SITGES FILM FESTIVAL 2024",
          "ANNECY INTERNATIONAL ANIMATION FILM FESTIVAL 2024"
        ],
        "position": "left lower-middle",
        "title": "festival laurels"
      },
      {
        "count": 5,
        "labels": [
          "ORIGINAL SCORE BY JOE HISAISHI",
          "ORU logo and orbital diagram",
          "07.19.24 ONLY IN THEATERS",
          "STARRING VOICES KENJIRO TSUDA MAAYA SAKAMOTO",
          "barcode and vertical Japanese annotations"
        ],
        "position": "upper-right to lower-right",
        "title": "right information column"
      },
      {
        "count": 6,
        "labels": [
          "IMAX block",
          "warning icons",
          "Catalog code ORU Abyss A-77",
          "dense studio credits",
          "A24 mark",
          "small Japanese stamp"
        ],
        "position": "bottom edge",
        "title": "bottom technical strip"
      }
    ]
  },
  "main_title": "{argument name=\"movie title\" default=\"ABYSS\"}",
  "rendering": "extremely detailed illustration, painterly ink and gouache texture, crisp poster typography, cinematic, melancholic, mysterious, not photorealistic, no modern glossy CGI",
  "style_references": "Hayao Miyazaki meets Katsuhiro Otomo, hand-painted anime concept art, Moebius-like linework, old Japanese sci-fi movie poster, high-art deep-sea retrofuturism",
  "tagline": "{argument name=\"tagline\" default=\"IN THE DEEPEST SILENCE, WE BECOME ONE.\"}",
  "type": "retro deep-sea science fiction anime film poster",
  "typography": "massive condensed navy sans-serif title, orange date numerals, tiny bilingual English and Japanese microtext, faux film-poster legal copy, clean grid alignment mixed with worn analog imperfections"
}