Copy-ready prompt
A collage of 1960s French New Wave film posters, set against a backdrop of worn beige paper. The design mimics the style of torn paper art film posters, featuring simulated graininess, aged printing texture, rough torn edges, ink wear, halftone imperfections, and slight misregistration. The central composition is a black-and-white half-length portrait of a woman with messy dark hair, her hand raised to cover her face and holding a cigarette. The composition focuses on her upper body, with her face obscured by a rectangular, blurred block. The design employs a layered collage layout, containing eight main paper elements: 1) A black text block in the upper left corner, with "LES FILMS DU CARREFOUR présentent" above and the stacked large characters "ANNA KARINA" and the smaller text "dans un film de JEAN-LUC GODARD" below; 2) A red torn quote panel on the left, reading "Il faut essayer d'être jeune comme on peut. - GODARD"; 3) A blue torn panel in the upper right corner with the black label "PRIX JEAN VIGO 1962"; 4) A narrow torn newspaper clipping in the upper right corner, reading "l'amour est plus fort que la mort"; 5) A yellow torn panel in the middle right, showing a black silhouette of a man wearing a hat facing a woman, next to a vertical black film border with white sprocket holes; 6) A black and white photograph of a Parisian street scene in the lower left corner, including wet ground, streetlights, pedestrians, and the clearly visible "HOTEL". 7) A small commentary text block in the lower left corner reads '"LE FILM QUI A CHANGÉ LE CINÉMA" - CAHIERS DU CINÉMA'; 8) A cropped black and white portrait of a man in a suit in the lower right corner, his face obscured by a rectangular blur block and partially covered by red torn paper shapes. At the bottom center, a large torn paper-style title is placed, using bold, compressed capital letters: black "À BOUT DE" and red "SOUFFLE," slightly slanted and spanning most of the width. Below the title, a blue torn paper strip is added with the white capital text "UNE HISTOIRE D'AMOUR ET DE LIBERTÉ". At the bottom center, black capital letters "COMING SOON" are added, below which is "LES FILMS DU CARREFOUR". The color palette is limited to faded cream, black, deep ultramarine, soft poster red, and mustard yellow. The overall atmosphere is rebellious, romantic, and cinematic, like a signature French New Wave poster composed of torn magazines, street photography, and striking typography.
Prompt breakdown
A collage of 1960s French New Wave film posters, set against a backdrop of worn beige paper.
The design mimics the style of torn paper art film posters, featuring simulated graininess, aged printing texture, rough torn edges, ink wear, halftone imperfections, and slight misregistration.
The central composition is a black-and-white half-length portrait of a woman with messy dark hair, her hand raised to cover her face and holding a cigarette.
The composition focuses on her upper body, with her face obscured by a rectangular, blurred block.











